Sunday, November 24, 2013

Janne Koivistoinen: "I enjoy life as a Graphic Designer"

The Web designer I am researching is Janne Koivistoinen. He has a aesthetic somewhere between snapshot photography and minimalist. He was born in a little factory city called Varkaus in Finland. He first started working with computers when he was very young but had no Internet; instead Koivistoinen explored Windows 95 “to see if there was anything I might have missed”. As a teen he became very interested in Graffiti, an influence seen in may of his commercial works with bold colors and a more urban feel.  He started publicly posting graffiti inspired art on Deviant Art.



He started using Photoshop when he was 14 and by the time he was 16 he launched his first website. In 2006 he had his first commission, a website and rebranding for a Finnish rock festival. The site was very successful and well liked.


He starts work by brainstorming descriptions and words he wants to have in the site and then begins a sketch or starts directly in Illustrator or Photoshop. He completes the layout, and sometimes the entire design, in only a few hours.


He usually doesn’t have a plain background, even when he does he uses lighting to attract attention to target links and subtly add interest. 



He likes to use the Fibonacci sequence, subtle gradients, and the careful use of empty space.  His biggest recommendation for site designers who want to make money is simply “Put Yourself in the buyer’s shoes”. He comments that organization of files is necessary and that great commercial sites create emotion.


Sources
Douglass, Drew. "Inside the Minds of 7 Great ThemeForest Designers: kuimu." Janne Koivistoinen (kuimu). http://blog.themeforest.net/general/inside-the-minds-of-7-great-themeforest-designers-kuimu/ (accessed November 22, 2013).

Koivistoinen, Janne. "I enjoy life as a Graphic Designer." Janne Koivistoinen Portfolio RSS. http://janne.me/ (accessed November 22, 2013).




Update Post Lab Monitor Session 1

Work list for http://students.smcm.edu/enrader/ 
Art
- Make main page image (Start sketches, inspiration print development? Or just fade text? Hover image?)
- fill out gallery (Partly Done)
- scan work and make thumbnails
Text
- Write Statements (So very much cluelessness)
-Bio/Info/CV/Resume  part (so clueless about this)
Technical and etc…
- check hyperlinks 
- make site live 

- check on multiple browsers (Don't forget those non-mac users!)
- make layout 
- change blog to be similar to site 
- replace broken links 
- rename site


Awesome! -> http://students.smcm.edu/enrader/Shadow1.html 

Friday, November 22, 2013

Progress

misread the email and thought this was due next thursday. 
Apologies, 
-E

Here's what I have so far, I have a lot more to put on thew site as you can tell. I am making a personal portfolio. Most of it's partly done but not ready to be made live yet. 

Work list for http://students.smcm.edu/enrader/ 
Art
- Make main page image (Start sketches, inspiration print development? Or just fade text? Hover image?)
- fill out gallery (Partly Done)
- scan work and make thumbnails
Text
- Write Statements (ugh, but a third of the way done)
-Bio/Info/CV/Resume  part (so clueless about this part but I think its a third of the way done too)
Technical and etc…
- check hyperlinks (shouldn't take too long)
- make site live (Continual through project)
- check on multiple browsers (Don't forget those non-mac users!)
- make layout (done but I want to try "lighting")
- change blog to be similar to site (just need to fix the format)
- replace broken links 
- rename site (finished)


Wednesday, November 6, 2013

Public Veil

This section, “The Public Veil” is about the differences and, more importantly, the similarities between IRL (In Real Life) and the “veil” of interacting with others online. The theme that a better name for IRL is AFK (Away from Keyboard) is commented on earlier in the reading because the online world is as real as the physical world, and this is further emphasized in this section. The author starts her discussion with the difference in meeting new people online, as opposed to AFK. It’s less intimidating and she has met many of her friends in this manner like her friends from a group called “The Computers Club” who works with identity manipulation.
The author tells a story of how a friend in the group, MOM, or maman’s, funeral. She had very real friends in this group, but at the funeral this way of meeting was considered to have cheapened their relationship. However, the author believes the Internet is the world without a physical body. They are the same people online as in AFK, but this lack of physicality in a relationship appeared to others shallower, despite the true depth in a relationship coming from memories and conversations. The author also discusses how, like in the physical world, he has only the shell of the online record, his legacy, without the “physical” presence. This is no different from the world of “reality” where only the memories remain after a person is gone.

I can honestly say I very much agree with the author’s ideas: emotional closeness is not about physicality, but memories, and spending time with them no matter whether online or AFK. It’s shallow to think that a physical body makes a friendship more real.